Carlos Diegues
Carlos José Fontes Diegues OMC, known as Cacá Diegues (Maceió, May 19, 1940 – Rio de Janeiro, February 14, 2025), was a Brazilian filmmaker. He was one of the founders of Cinema Novo.
Known for
- Les Rendez-vous du dimanche (1975)
- Spécial cinéma (1974)
- O País do Cinema (2016)
- O Canto Livre de Nara Leão (2022)
- Chico Anysio: Um Homem à Procura de Um Personagem (2025)
- Dossiê Jango (2013)
- Looking for Black Orpheus (2005)
- Brazilian Cinema in the 20th Century (2017)
- Armando Costa: “Televisão pra Mim Não é Bico” (2024)
- Neville D'Almeida: Chronicler of Beauty and Chaos (2019)
- Filmando Bye Bye Brasil (1980)
- Fernando Coni Campos: Cada um Vive como Sonha (2026)
- Cordilheiras no Mar: A Fúria do Fogo Bárbaro (2015)
- Claves, 1: How Tasty Was My Little Frenchman (1984)
- Candango: Memoirs from a Festival (2020)
- For All - O Trampolim da Vitória (1998)
- Claves, 3: Small mother country, great mother country (1984)
- Improvised and Purposeful: Cinema Novo (1967)
- Coisa Mais Linda - Histórias e Casos da Bossa Nova (2005)
- Claves, 2: We will return younger (1984)