Chantal Akerman
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Known for
- Les Rendez-vous du dimanche (1975)
- Ciné regards (1978)
- Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)
- Je Tu Il Elle (1974)
- Down There (2006)
- Pictures of Europe (1990)
- Grands mères (1980)
- Delphine and Carole (2020)
- Seven Women, Seven Sins (1986)
- In Her Own Words (2024)
- Morceaux de Cannes (2021)
- Son chant (2021)
- The Ministries of Art (1989)
- Portrait of a Lazy Woman (1986)
- I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015)
- Porto (2017)
- Calling the Shots (1988)
- Family Business (1984)
- One Day Pina Asked... (1989)
- Chantal Akerman, an autobiography (2006)