Joe Alex
Joe Alex—the pseudonym of Alejandro Saenz Varona, born on May 19, 1894, in Ica (Peru) and died on August 15, 1948, in Lima (Peru)—was a Peruvian dancer, choreographer, singer, and actor. A prominent figure in the interwar music-hall scene, he made his debut in 1918, appearing in revues, operettas, musicals, and comedies at venues such as the Olympia, the Théâtre du Perchoir, the Bataclan, and the Gaîté-Lyrique. Nicknamed the "tragedian of the dark soul" and regarded by Paul Colin as one of the greatest stars of his era, he was a member of the *Revue Nègre* from 1925 to 1928—alongside Josephine Baker and Sidney Bechet—and founded the *Théâtre Africain* in 1938. While often typecast in roles such as a Black dancer, a "native," or a servant—whether on stage or in film (notably as King Malikoko in *Malices-Coco*, a two-act revue by Jean Bastia and Charles-Alexis Carpentier, and as Bamboula in *Bécassine et Bamboula*, a three-act comedy by Caumery)—he also secured more serious roles, such as Vincent Jackson (a man sentenced to death) in John Wexley’s play *The Last Mile* and Diego in the film *L'Étoile de Valencia*, starring alongside Jean Gabin and Brigitte Helm.
Known for
- Children of Paradise (1945)
- Boy (1926)
- The Lover of Borneo (1942)
- Mr. Gregoire Runs Away (1946)
- Josette (1937)
- Bouboule 1er, roi nègre (1934)
- Le Bateau à soupe (1947)
- Satan's Paradise (1938)
- L'Étoile de Valencia (1933)
- Les trois cousines (1947)
- Naples Under the Kiss of Fire (1937)
- The Kidnapping (1934)
- La Terreur de la pampa (1933)
- The Magnificent Wanderers (1931)
- Le Clown Bux (1935)
- The Lion of the Moguls (1924)
- Le Bouif errant (1926)
- Little Lise (1930)
- Adrien (1943)
- Fort Dolorès (1939)